Wow, I’ve really been slacking with my Hitchcock this year. Whatever, I’ve been busy. I revisited an old favorite of mine recently: Vertigo. Arguably Hitchcock’s strangest film, Vertigo was not universally loved when it was released in 1958. Hitchcock had been known for his romantic thrillers, and people pretty much expected more of the same. Instead, they got a strange passion project that seemed to reveal more of Hitchcock’s inner psyche than anyone really wanted to know. Overwhelming obsessions, paranoia, busty blondes — it feels like a two-hour long therapy session with you as the therapist and Hitchcock your patient. Most publications said it was a good film and visually appealing, but too long and convoluted. The plot has a strange structure that rubbed some critics wrong, and it didn’t help that the mystery is revealed well before the end of the film. It ended up breaking even, but that could be marked as a failure for Hitchcock at that particular time in his career. It wasn’t until recently that the film has been hailed as a masterpiece and even said by some to beat out Citizen Kane as best film of all time.
If you have never seen Vertigo, do not read this post. It’s riddled with spoilers and will ruin the movie for you completely. But chances are you’ve seen Vertigo. It was one of the first Hitchcock’s I was introduced to, and also one of my favorites. It starts as a strange investigation into a seemingly paranormal case and ends up being an incredibly calculated scam.