Readers’ Advisory: Supernatural Thrillers With Female Leads

A friend of mine texted me this very wheelhousey RA question a while back…and I was very very excited.

“Hey! I need a book recommendation and I figured you were just the lady I should ask. Do you know of any good thriller type books to recommend? Something real disturbing. Preferably with a kickass female lead. Maybe supernatural?”

I only sent her a handful of the books below, but I thought I would expand the list here! In addition to her female lead request, I also made all of my recommendations written by women as well. I’ve read most of these, and the ones I haven’t gotten to yet I have sitting on my bookshelves, waiting for me to dive in!

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The Shameful Book Club: Gothic Novel Final Update

Well, here I am again, running late and falling short. I have, once more, failed at my objective to read all of my books in the time frame allotted to me by myself. No excuses this time; I just suck. But let’s talk about what I did get to finish, shall we?

Beautiful image by Colleen Tighe. Visit here for more... http://www.colleentigheart.com/We-Have-Always-Lived-In-The-Castle

Beautiful image by Colleen Tighe. Visit here for more… http://www.colleentigheart.com/We-Have-Always-Lived-In-The-Castle

We Have Always Lived in the Castle. We Have Always Lived in the Mother Effing Castle. Wow, this is my kind of book. I’m not sure if I’ve referenced this film a million times yet or not, but one of my favorite movies is Stoker by Korean director Park Chan-wook. It’s dark, twisted, unconventional, and incredibly beautiful. I felt all of those things about WHALitC. We enter into the lives of Mary Katherine and Constance Blackwood, two young women who live isolated in their large house with their wheelchair-bound Uncle Julian. The fractured family fell into disrepair after an unfortunate case of arsenic poisoning knocked off the rest of the Blackwoods half a decade ago. Constance, having been put on trail and then acquitted of the crime, suffers from such extreme agoraphobia that she cannot leave the house. Uncle Julian is so much diminished from the poisoning that he struggles to keep one foot in reality.

The town is happy to keep them isolated, making disparaging comments and singing a haunting little nursery rhyme about the murders whenever Mary Katherine comes near. And it is only ever Mary Katherine, or Merricat as she is referred to, that leaves their extensive grounds.

We view the story through Merricat’s point of view via her first person narrative, which is both childlike and vicious. Joyce Carol Oates, among others, has described her as feral. If I were to describe her, I think I would go with psychotic, because that would surely be her diagnosis. Even though she does all the shopping and errands for the household in the outside world, she is the most detached from reality of them all. Merricat’s disjointed thought process and her invented system of superstitions is incredibly off-putting and creates an atmosphere of sharp unease. Imagine you’re going on a hike on a hot day, and suddenly you get to a part of the trail where there are no trees. The June bugs are so loud, and the sun is so bright, and you start getting one of those headaches. That was the feeling I had during this book, that sharp contrast, dehydrated feeling. But I’m going to say that was a good thing.

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The Shameful Book Club: Gothic Novel Update

fall-readingAll right! I hope you guys had a wonderful fall and are super excited for the shit winter we are already lucky enough to be on the receiving end of. It’s the perfect weather to curl up next to a fire in a creepy house and devour some old-school 19th century lit!  As you’ll see, I’m reading these slightly out of order and am behind schedule yet again. My excuse this time is that my new job turned out to have a different definition of “full-time hours” than the rest of the world, and I’m pretty much exhausted all the time. As soon as I read one word of Nathaniel Hawthorne’s I’ve already been asleep for an hour.

Anyway, I’ll either rage quit my job or work harder to finish my books. I know which one I’d rather do, but I guess we’ll see. Without further complaining, my first installment in fall’s Gothic Novels for The Shameful Book Club:

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The Shameful Book Club: Gothic Novels for Fall

220px-Vampyre_title_page_1819It’s time for my second seasonal writing challenge! Over the summer I attempted to tackled an enormous amount of Southern writers’ work that I had never gotten to before, and even though I wasn’t able to reach my goal, the books I did read were awesome. Now it’s time to move on to a genre that I am better versed in: Gothic literature!

I took a Gothic lit class in college, and we hit the classics like Poe, Jane Eyre, and The Castle of Otronto, but there are so many good ones out there. I even allowed some flexibility to bring in some more recent gothic literature, because sometimes the old stuff can get, well, old. Please don’t be turned off by that, we should all be reading Gothic literature.

I chose Gothic novels for the fall (October through December) because obviously the fall is a dark and spooky (yet beautiful) time of year. You feel naturally inclined to curl up under a blanket with a cup of tea and a creepy book. And obviously there’s Halloween. Next fall I will probably pick more modern horror novels (because I have a couple of holes in that genre as well), but this year I wanted to get back to the basics.

Here are the Gothic novels in (flexible) order of how I will read them:

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The Hitchcock Haul: Rebecca (1940)

rebecca1940dvdThis film has a special place in my heart. It, along with the novel by Daphne du Maurier, turned me onto mysteries and thrillers — something I’ve been obsessed with ever since.

Just to set the bar, we’re talking about a movie that has a 100% rating on Rotten Tomatoes and earned Hitchcock his only Best Picture Oscar. It is a beautifully haunting and tantalizing film, and yet still not as good as the book.

rebecca-by-daphne-du-maurier

When I was younger and starting to get into Hitchcock, my Mom would talk about the film Rebecca and how great it was, but she could never get her hands on it to watch. When Netflix came out, we signed up right away (it was like destiny), and one of the first films my Mom put on the queue was Rebecca. It was unavailable for YEARS! Finally, after I graduated from college, we were mailed our copy.

At this point I had already read the novel out of anticipation. It delighted me! The scandal was incredibly juicy for something written in 1938, and the psychological horror that was prevalent throughout was amazing. The important twists in plot impressed me. They were both shocking and plausible. It’s a tale of sexual deviance, resentment, and coping with the past.

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